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Samuel Fuller, Independent Filmmaker Fuller presents a kind of Dictionary of Samuel Fuller: in the course of the film, one of the cinema’s great raconteurs covers pretty much everything from racism to communism, violence to crime, and from money problems to life during combat. His extraordinary passion is evident in every frame, and the direct connection between his worldview and his work as an artist is made abundantly clear in extracts from his films Pickup on South Street, Forty Gunsand Shock Corridor. The title is taken from Fuller’s self-introduction in Godard’s Pierrot le Fou. (68m).

Samuel Fuller, Independent Filmmaker Fuller presents a kind of Dictionary of Samuel Fuller: in the course of the film, one of the cinema’s great raconteurs covers pretty much everything from racism to communism, violence to crime, and from money problems to life during combat. His extraordinary passion is evident in every frame, and the direct connection between his worldview and his work as an artist is made abundantly clear in extracts from his films Pickup on South StreetForty Gunsand Shock Corridor. The title is taken from Fuller’s self-introduction in Godard’s Pierrot le Fou. (68m).

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    by Nicholas Garnham (1971, out-of-print): For further reading: Samuel Fuller by Phil Hardy (1971); Samuel Fuller by...
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